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Moog Voyager Performer Edition

Moog Voyager Performer Edition

Galerija Slika:


Voyager Performer Edition, prvo izdanje vrhunske Voyager serije, novi synth koji zadrzava sve funckije originalnog minimooga, proizvedenog od 1971 do 1984 godine, te dodaje jos ogromni broj dodataka koje ga cine iskrenim minimoogom za 21. stoljece!

Ovo je investicija koja traje dozivotno.
 
The Voyager is paneled in ash with a stunning custom finish. Features include 3 ultra-stable oscillators, dual moog filters, 4-stage analog envelope generators, flexible modulation busses, and much much more...

If you want THE Moog sound, this is it. Period. This has Bob Moog's legendary synthesizer design expertise in its circuits. Say no more. It sounds amazing, looks amazing, and feels amazing. There is no substitute.

The Voyager has been awarded a "Key Buy" award from Keyboard magazine, a "Platinum Award" from Future Music magazine, an "Excellence Award" from Music Tech magazine, a TEC award from Mix magazine, and the "2003 Editor's Choice award" from Electronic musician magazine.

Treat yourself to a feast of the senses. Buy one from an authorized dealer today. No dealer in your area? Call us 800-948-1990 or 828-251-0090 and we will help you locate one.

Wait...

Now, all Performer Editions will have the upgraded software and hardware to allow the player 7 banks of 128 presets and the following capabilities:

The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons.

MIDI Enhancements:

- Allows you to send either 7 or 14 bit resolution from the Mod Wheel.

- Optionally reduces the amount of MIDI data being sent from the Touch Surface.

(These changes enable the Voyager to work better with older MIDI equipment.)


A gift that keeps on giving!
Minimoog Voyager
product specifications

Features and Technical Specifications
 
The MINIMOOG� VOYAGER Synthesizer is a monophonic (one note at a time) analog performance synthesizer. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. It has many new additional features, including a three dimensional touch surface, MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features.

The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are two Moog filters and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator).Control devices include a 44-key keyboard with velocity and afterpressure outputs, pitch bend and modulation wheels, a three dimensional touch surface, and many control/pedal input jacks.

The MINIMOOG� VOYAGER has a hinged, multi-position panel and a solid hardwood cabinet. The power supply accepts any power voltage from 100 volts to 240 volts.

Oscillators Module
 
Three wide-range, high stability VCO�s (Voltage Controlled Oscillators) with continuously-variable waveforms.

* FREQUENCY controls (2) vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1.
* OCTAVE selectors (3) set the frequency ranges of the oscillators in six octave steps.
* WAVE controls (3) provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular.
* 1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects.
* 3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3.
* 3 KB CONT switch disconnects Oscillator #3 from control by the keyboard, thereby enabling it to function as a drone.
* 3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, thereby enabling it to function as a low frequency audio or modulating oscillator.

Mixer Module
 
Five-input mixer for combining the audio sources prior to filtering.

* Input Level controls (5) adjust the relative levels of the oscillator, noise, and external audio input signals.
* Input switches (5) enable the player to quickly switch individual audio signals in and out.
* External Level LED enables the player to set the correct external audio signal level.


Filters Module
 
Dual mode filter module includes dual lowpass and highpass-lowpass filtering. Dual lowpass mode consists of two Moog lowpass-resonant filters in parallel, one per output channel. Highpass-lowpass mode consists of Moog lowpass filter in series with a highpass filter.

* CUTOFF control sweeps the frequencies of both filters throughout the audio range.
* SPACING control sets the spacing between the frequencies of the two filters, over a +/-3 octave range.
* RESONANCE control adjusts the resonance of both filters, from none (pure lowpass response) to filter oscillation.
* KB CONT AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard.
* Dual Lowpass/Highpass-Lowpass switch selects between dual lowpass operation or highpass-lowpass operation.


Envelopes Module
 
The Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume.

* ATTACK controls (2) determine the attack times of the envelopes.
* DECAY controls (2) determine the decay time constants of the envelopes.
* SUSTAIN controls (2) determine the sustain levels of the envelopes.
* RELEASE controls (2) determine the release time constants of the envelopes.
* AMOUNT TO FILTER control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope).
* ENVELOPE GATE SWITCH selects whether the envelopes will be triggered by the keyboard, on , or by an externally-applied gate.


LFO Module
 
Low Frequency Oscillator generates triangular, square, Sample & Hold, and smoothed Sample & Hold waveforms for use as modulating signals.

* RATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (fifty times a second).
* SYNC selector selects LFO synchronization source to be from the keyboard gate, external envelope gate, external gate, or off (no synchronization).
* RATE LED provides visual indication of the LFO rate.


Modulation Busses Module
 
Selects the sources, destinations, and shaping signals for the MOD WHEEL bus and the EXT PEDAL/ON bus.

* SOURCE selectors (2) selects the modulation source from the LFO triangle or square waveforms, Oscillator# 3, sample and hold, the external modulation input (MOD2) or noise.
* DESTINATION selectors (2) selects the modulation destination from all the audio oscillators, just Oscillator #2, just Oscillator #3, the filter cutoff frequencies, the oscillator waveforms, or LFO Rate.
* SHAPING selectors (2) selects the key pressure signal, filter envelope, note-on velocity or on to shape the modulation signal on that bus.
* AMOUNT controls (2) sets the overall modulation amount for each bus.


Output Module
 
* MASTER VOLUME control sets the overall level of the instrument�s audio outputs.
* HEADPHONE VOLUME control sets the overall level of the headphone output.
* HEADPHONES jack: 1/4� tip-ring-sleeve phone jack for regular headphones.


Glide and Fine Tune Module
 
* GLIDE varies the speed at which the keyboard voltage changes, from instantaneous to several seconds.
* FINE TUNE adjusts the overall tuning of the instrument.

V 3.3 Software Capabilities
Voyager Software developed by Rudi Linhard of Lintronics.
www.lintronics.biz
* FRONT PANEL STORAGE AND RECALL: Except for the Fine Tuning control, the settings of all front panel controls, selectors, and switches are stored in the nonvolatile digital memory. A total of eight hundred ninety-six front panel presets may be stored for instant recall.
* TRANSMISSION AND RECEPTION OF KEYBOARD DATA VIA MIDI: Polyphonic note-on and note-off with velocity can be transmitted (Note numbers 53-96).The Voyager responds to note-on (0-127) messages monophonically with user defineable note priority. The Voyager's Front Panel Controls transmit and respond to MIDI CCs. Please refer to the Voyager User's Manual for a list of the Front Panel Controls and their corresponding MIDI CC#s.
* UPLOADING AND DOWNLOADING OF PRESETS VIA MIDI: Individual Presets or whole Preset banks may be uploaded and downloaded via MIDI System Exclusive.
* UPDATING OF OPERATING SOFTWARE VIA MIDI: The instrument�s operating software can be updated via MIDI files (.syx Sysex files) which will be available on Moog Music�s web site in the Support Docs and Software section.
PANEL MODE FEATURES: Panel Mode features include Compare, Quick Mode (Preset changes with +/-1 buttons), Parameter Display (view stored paramter value, current parameter value), and enable/disable preset Master and Headphone Volume.
EDIT MODE FEATURES: Related to Preset Parameters not on Front Panel, these include: Compare tp Preset, Recall last Sound, Real Panel Control, Pitch Bend Amount, Programmable Mod Buss Sources, Destinations and Shaping, Keyboard and Trigger Modes, FIlter Pole Select, Envelope Gate Source, Touch Surface Destinations, Touch Surface Memory, Pot Mapping Mod. Matrix, LFO MIDI Clock Divider, Initialize Parameters, Preset Name, and Save Preset.
MASTER MODE FEATURES: Global Settings and functions for the Voyager include: LCD Contrast, MIDI Local Kbd. On/Off, MIDI Merge, MIDI Program Change On/Off, MIDI In/Out Channel, MIDI In/Out On/Off, Send Panel Sound, Send All Presets, Receive Presets, SysEx Device ID, Transpose In/Out, MIDI Key Order, Velocity Curve, Copyright Info, Software Version, Send System ROM, Send Boot System, Receive Update.

Player Control Interfaces
 
* 44 KEY KEYBOARD produces Pitch, Gate, Velocity, and Pressure control outputs.
* WHEELS: Pitch Wheel bends pitch over a range of up to +/-1 octave. Mod wheel controls the gain of the MOD WHEEL bus.
* GLIDE and RELEASE switches provide real-time on-off control over the glide and release functions.
* THREE DIMENSIONALTOUCH SURFACE provides three continuously-variable control signals which are derived from the up-down and left-right position of the player�s finger, and the amount of area with which the player makes contact to the surface.

Rear Jack Panel
Listed below:


Pedal/Control Inputs
 
These ten jacks have red nuts. They accept either expression pedals or control voltages, and control the following performance parameters:

* VOLUME
* PAN
* FILTER CUTOFF
* WAVEFORM
* PITCH
* MOD2 - EXTERNAL MODULATION SOURCE
* MOD1 - EXTERNAL CONTROL OF THE PEDAL MOD. BUS
* SAMPLE AND HOLD IN
* ENVELOPES RATE
* LFO RATE

Accessory Port
 
The Accessory port delivers
the Control Voltage and gate
signals generated inside the Voyager to a standard DB-25
connector. This is designed for use with the VX-351 Voyager CV Expander.

LFO Sync
 
A footswitch or gateapplied to this input will reset the LFO waveform to the beginning of its cycle.

Envelopes Gate
 
A footswitch or gate applied to this input will start the envelopes.

Sample and Hold Gate
 
A gate signal applied to this jack will trigger a new sample and hold voltage.


Release
 
foot switch plugged into this jack will have the same effect as depressing the corresponding switch on the left hand controller panel.


Mixer Ext In
 
Plug any instrument-level or line-level audio signal in this jack to combine with the oscillator and noise signals prior to filtering.


Mix Out/Filter Audio In
 
The output of the audio mixer appears here, before being fed to the filter. Normally, the Mixer output is bridged directly to the filter input. If you plug something into this jack, that breaks the normal connection. Using a standard insert cable (1/4" TRS plug to two 1/4" TS plugs) this jack can be used as an effects loop for external processing of the Mix before it goes to the filter.


Left(Mono) and Right Audio Outputs
 
The audio outputs are 1/4 " unbalanced outputs. The two output channels are summed to mono when only the left(mono) output is used.


12V Lamp
 
The BNC Lamp Socket provides 12VDC for a gooseneck lamp.


MIDI In, Thru, and Out Connectors
 
Standard MIDI connectors for interfacing with other MIDI gear.

Power Input
 
The Voyager's power input accepts a standard power cable. The Voyager works from 100-250 VAC, 50-60 Hz.


Dimensions and Weight
 
30 1/2" Wide X 18" Deep X 3" High (when flat) 12" High when fully upright.

40 lbs.
Voyager Performer Edition MANUALS
Addendum to MiniMoog Voyager User Software V 3.0
minimoog Voyager
User's manual -
Also includes the instructions for the VX-351 Voyager CV Expander in Appendix E.
V 3.0 List of Presets (Banks 1-7)
Voyager Newsletter no. 2
Oct. 12, 2004 - Voyager Editor Librarian - OS 2.5 - Beginner's Tips #2 Using the Mixer - Power tips Stupid Pot Tricks
Voyager Newsletter no. 3
Happy Holidays - Anniversary Edition News - Top 10 2004 Voyager tips
Voyager Newsletter no.1
March 4, 2004 -
Voyager Software 2.0 -
Anniversary Edition -
Beginner's Tips 1 - Init. Parameters/Oscillator 1 -
Power Tips - Moog Percussion


Voyager Performer Edition SOFTWARE
A collection of Voyager Presets for 3.4 firmware
These are a small collection of single presets as SysEx files made using Voyager O.S. 3.4 - most feature the new Touch Surface LFO S+H feature. Your mileage may vary.
Editor Librarian Mac Version
Voyager Editor Librarian download file for Macintosh Computers
Editor Librarian Windows Version
Editor Librarian download file for Windows.
preset refsyx
minimoog Voyager Signature Edition factory presets. 65 fantastic presets developed by Brian Kehew and Moog Music. Sysex file.
preset_refmid
minimoog Voyager Signature Edition factory presets. 65 fantastic presets developed by Brian Kehew and Moog Music. Standard MIDI file.
twolfmid
128 kickin' presets developed by Thomas Wolf. Standard MIDI file.
twolfsyx
128 kickin' presets developed by Thomas Wolf. Sysex file.
Voyager Keyboard O.S. 3.4
V3.X HARDWARE upgrade extends the current single Bank of 128 Presets to 7 Banks of 128 Presets for a total of 896 user accessible presets. This upgrade is available for all Voyager Editions (Signature, Performer, Anniversary, Electric Blue, and Rack Mount).

Additionally, the V3.X SOFTWARE adds the following capability to the Voyager:

The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons.

MIDI Enhancements:

- Allows you to send either 7 or 14 bit resolution from the Mod Wheel.

- Optionally reduces the amount of MIDI data being sent from the Touch Surface.

(These changes enable the Voyager to work better with older MIDI equipment.)

Firmware version 3.4 for Voyager Keyboard (all editions except Rack Mount and Old School). .zip folder includes .pdf USER GUIDE as well as folder containing the four SysEx (.syx) files: Bank A, B, C, and D. *PLEASE READ THE USER GUIDE SECTION ON UPDATING THE FIRMWARE BEFORE PROCEEDING*. We recommend NOT using ProTools MIDI Interfaces, or any MIDI interface that sends MIDI Active Sensing messages. *Be sure to back up your presets before proceeding with this update.*
Voyager Keyboard OS 3_3
.zip file contains three banks in sysEx and MIDI format (bank A, B, C) for Voyager keyboard OS 3.3, as well as .pdfs for User notes and SysEx format. Please read user notes before installing. Note: this is for Keyboard only. Don't load this into the Voyager Rack Mount.
Voyager OS v1.5 and Boot OS 1.2
This is a zipped file of Voyager OS v1.5 and boot OS v1.2. Instructions are included in this zipped folder.
Load 1.5, then boot v1.2.
This version is necessary if you are upgrading a Voyager with older software to 2.1.
Zonmid
minimoog Voyager Performer Edition factory presets. 128 outstanding presets developed by Zon Vern Pyles. Standard MIDI file
Zonsyx
minimoog Voyager Performer Edition factory presets. 128 outstanding presets developed by Zon Vern Pyles. Sysex file
Aron Magner, The Disco Biscuits
Ever wished you had been at a show...
This Disco Biscuits show looks explosive.

Check out this Moog Interview with Aron
Moog Mars Musings
Voyager Owner Todd Barton has a website devoted to a very creative use of his Voyager, daily musical meditations on the images coming from the Mars Rovers sent to Mars by NASA. Each composition is a minute long. Both the graphics and music are haunting and beautiful. Check them out here:

Moog Musings
Who is using the Voyager?
Musicians worldwide are revelling in the sonic luxury of the Minimoog Voyager.
Here's a short list of some notable users -

Nigey Nige, Chris De Burgh
Adam Jones, Tool
Steve Ferlazzo- Population 1, DramaGods, Avril Lavigne
Jamie Arentzen, American Hi-Fi
Air
Jerome Rodgers (w/ George Clinton)
Roger O'Donnell (The Cure)
David Rosenthal (Billy Joel)
Chad Hugo - The Neptunes, n.e.r.d.
Richard "Jah" Ace
Page McConnell
Keith Emerson
Herbie Hancock
Rick Wakeman
Jamie Muhoberac - Ace session musician
Fred Wreck - hip hop producer (Snoop Dogg)
Khari Simmons - India.arie
Nick Rhodes - Duran Duran
Larry Dunn - Earth, Wind and Fire
Paul Simon
John Fogerty
Charlie Clouser
Aron Magner - the Disco Biscuits
John Herndon - Isotope 217, Tortoise
Leroy Bach
Kevin Antunes - Musical director for Britney Spears, Justin Timberlake tours
John Frusciante - Red Hot Chili Peppers
Hans Zimmer - Film composer extraordinaire
Brian Kehew - 1/2 of Moog Cookbook
Darrell Diaz - Solo artist, works with Herbie Hancock
Bernie Worrell
Gabrial McNair - No Doubt, Oslo
Thursday
Deftones
John Medeski - Medeski Martin and Wood
Thelonius Moog
Printz Board - Black Eyed Peas
Randy Cantor
Jordan Rudess - Dream Theater
DJ Logic
Don Preston
James Lumb - Electric Skychurch
Nellee Hooper
Sheldon Reynolds-Earth,Wind and Fire
Jeffrey Keezer - Christian McBride Band
Anthony �Fu� Valcic
Morcheeba
Frank Lucas
Al Schneier - Moe
Roger Manning Jr.- The other 1/2 of the Moog Cookbook, keyboards for Beck
Gary Carolla
Chris Cox
Darian Sahanaja - Heart
Vince Wilburn
Mark Linkous - Sparklehorse
Skip Dorsey
Jason Epperson - Nelly
Steve Lindsey
Patrick Moraz - Yes, Moody Blues
Manfred Mann
Stevie Wonder
Goffrey Downs - Asia
Kenna
Roger Powell - Todd Rundgren
Onree Gill - Alicia Keys, John Mayer
Ricky Peterson - Dave Sanborn
Mike Farrell - Morrissey, Macy Gray
Brandon Bush - Train
Doug Fieger - The Knack
Money Mark
Stereolab
Ray Angry - Kellis
Jesse Carmichael - Maroon 5
Kern Brantley - Musical Director for Beyonce, Mary J Blige
Silk - Multi Grammy Winner
Drew Neumann
Zac Baird - Everlast, Maimou
John Delay - Dido
Ginger Fish - Marilyn Manson
Nuno Bettencourt - Extreme, Population1
Rhett Lawrence - Producer for Black Eyed Peas, Kelly Clarkson, Mariah Carey
Ben Wilson - Blues Traveler
Fernando Permdomo - Cristian Castro
Ryan Peak - Nickleback
Mike McKnight - Musical Director for Madonna
Herman Jackson - Session Player
John Hawken - The Strawbs
Steve Molitz - Particle
Randy Cantor
Ricky Martin
Shaggy
Scott Storch
Myron Dove
Santana
Ken Jordan
The Crystal Method
Todd Tamanend Clark
Brian "Brain" Mantia- Primus, Les Claypool, Guns-n-Roses
Tommy Zvoncheck- Blue Oyster Cult, Dream Syndicate
Jacob Chidester-Existo
Jimmy (the Fish) Messer- Goudie
Kevin "Gift" Alves
Jimmy Eat World
Vinnie Moore-Vicious Rumors
Eric Salvgard- Project Object
Joel Cummins- Umphrey's McGee
Elijah Allman- Deadsy
David Borden- Mother Mallard
Nick Conceller - Men, Women and Children
Andre Cholmondeley- Project Object
Douglas Tyler Pope- LCD Sound System
Christina "Bella" Gleason- Action Reaction
Jeff Babko - Jimmy Kimmel Live
and many more....
Minimoog Voyager review from Remix
Moog Music Minimoog Voyager

One of the '70s few highlights is ressurected as this synth juggernaut.

by Laura Pallanck

click here for Voyager review

from Remix, Oct.2003 issue
Vol.5, No.10


May 03 Keyboard - Moog Mania

Here are links to three articles from the May 2003 Keyboard Magazine Moog-Themed issue:

Moog Intro
This is an overview of Moog's influence in modern music.

Moog Mania
This is a retrospective of classic minimoog recordings.

Fantastic Voyage
This is an article about the making of the Minimoog Voyager.

Musings about the Minimoog Voyager
Here are some thoughts we'd like to share from our customers about the Minimoog Voyager:

"Dear Amos,

I wanted to drop you a line thanking you for your superb support in getting me up and running again following some sort of static discharge event that apparently fritzed my OS. But now that I've had the Voyager a bit longer, I've realized that far more praise is due than simply to your responsive support.

What a shame that Dr. Moog is no longer with us. Of course I can't know to what extent he personally designed the Voyager, but you guys, rather than bickering about analog vs. digital, have seamlessly melded the best features of both in this remarkable instrument. It has a "can't stop playing it" pull that I haven't felt from any instrument in decades, and, while I'd thought I'd exhausted the possibilities of the Voyager's basic configuration long ago, every single day I surprise myself with another patch that I wouldn't have thought you could wring out of these basic, pre-patched modules.

Pot mapping is a brilliant example of the glories of analog sound with digital control. Modulation is everything ... that unpredictable motion in a sound that makes it pleasing ... and the possibilities for that are almost endless with the Voyager. One of the first things I wondered about the instrument was:
I love dynamic waveshaping, but you get some audio dropout if you wave modulate an oscillator whose wave is set to an extreme (triangle, or narrow pulse). Was there some way I could wave modulate the oscillators selectively, say, one and three, but not two? No problem!

While I will be learning about the Voyager's capabilities for a long time to come, one thing I want to say right now is that this is above all else an expressive instrument. If I wanted to describe all of the ways that the instrument responds to the muscian's touch, I wouldn't know where to begin. An instrument is making an awfully big claim by calling itself a "Minimoog," but the Voyager makes the Model "D" a prouder parent than I would have ever thought possible. Thank you for resurrecting one of the greatest instruments ever made, and then improving on it in a way that's nothing short of astonishing.

I'm in the process of moving at the moment, but as soon as that's settled, I look forward to having my Voyager fitted with filter glide and the more responsive aftertouch ... as well as getting a CV expander. Ah, patch cords again!

~Brian Marasca


"I've been having a ball with my Moog Voyager .The Analog sound's of this moog are amazing , larger than life and quiet as can be ! There's nothing like the real thing Baby. .I have to admit , I was a little skeptical as I had one of the originals back in the day and never thought that this would ever happen to a mini moog .And on top of that be able to store these incredible sounds for instant recall . You really outdid yourself on this one .I was amazed when I first heard it and how powerful it sounds. I'm right now using it on a new Rock album that I'm Producing at the moment and the engineers are flipping out over it. They can't believe the frequency response and the oscillator generation . This is the best money that I spent that I could actually admit that was worth every penny. Every serious producer or songwriter should have one of these and see that it's the "Real Deal Hollyfield" .One thing I have to say is you kept the authenticity of the original and happy I got one! Thank you Moog�
Gary Carolla

The Voyager and MuRF are awesome! I just did a Nina Simone remix and I used only the Voyager aside from my rhodes on the whole thing! It rules! I am so happy with it. I have got some amazing tones out of that thing! Its awesome! Thanks again!

best,
Jimmy LaValle
The Album Leaf


"The Moog is awesome. I love the presets. Having those presets that I can alter, is a great timesaver. It's a beautiful machine. I love the way it sounds! None of the software synths are even close."
Barian Lapin, Wilson Philips

The Voyager is a performance instrument, it just doesn't produce sounds. Other keyboards just have patches. The Voyager keyboards reacts. It's an indescribable performance thing. Also, the keys are different than on any other keyboard. They have a curve which makes the Voyager more playable. The patches are fat. It's fatter than any other keyboard I have on stage. My bass player gets jealous when I start playing keyboard bass. I love the Voyager. Why should someone spend over $3000 for a Voyager? Because it's a Moog period! You shouldn't even have to ask.
Kevin Antunes

I used the minimoog Voyager a lot on the new Ricky Martin record because it's so freakin' good. It's fat, ballsy, and it sounds great. Even when people see it, they all think it looks amazing. Everybody loves the way it sounds.
Randy Cantor, keyboardist, producer, arranger

I love the Voyager. It's a great instrument. I'm so expressive on it. I love the touch pad, and the pitch wheel. It's warm and human. It's not so mechanical. It's so flexible because of the controls on the panel. It's like making music with a woman. It responds to your touch.
Chad Hugo

My Voyager is sitting next to a lot of other keyboards and it gets a lot more use than those. It's quicker to flip a switch or turn a knob on a Voyager, than it is flip through pages on another synth. The delicacy and accuracy of the controls and subtlety which can shape the sounds allows me to be more expressive than I expected.
Charlie Clouser

The MOOG is the sound of my childhood, part of my DNA. I've played other "analog modelers" and nothing else even comes close. I consider the MOOG an "acoustic" instrument as its voice resonates in my body just like a piano or acoustic guitar.
Geoffrey Keezer

I don't know what to say! I love this Moog Voyager and now after one hour of playing with it I am totally hooked on it and I will never be able to let it go!
First of all it is beautiful! Second - I have it sitting right next to my Mini Moog and I keep looking at it and it's kinda blowing my mind. I turned out the lights and the blue glowing wheels are awesome. I guess I'll just say thanks.
THANKS!!!
Jordan Rudess

The Moog Voyager is the finest synthesizer made today. It has a smoothness and playability that software synths just can't simulate. Onstage, the Voyager sounds like a million bucks - fat, warm, with a glassy, smooth high end. It's the best looking synth in my rig - fans always ask about it.
James Lumb Electric Skychurch

The MiniMoog Voyager is truly one of the greatest keyboards created in the last 25 years. With all of the luxury and amenities of the highest level digital synths such as the brilliant presets, storage capabilities for your own patches, 3 independent oscillators plus separate LFO and much more. Yet the voyager has that true fat analog sound which is now and always been created only by the true genius of Bob Moog. This is another grand slam Thanks Bob Moog and Moog Music
Larry Dunn

Thought you might like to hear this little story. I recently purchased a minimoog voyager - after wanting an old mini for many years, and finally saving up for the new and improved version (which, btw, is
worth every penny, and is the best performance synth I've ever known; in person or in legend). Well I play bass and keys in an eclectic rock band in Detroit; I play the usual piano, hammond (both samples) and occasional synth pad stuff. Yesterday I brought my new Voyager to band practice for the first time. I quickly found a preset that was close to what I wanted for the song we were doing, made a few tweaks, and off we went. When we finished that tune (country-rock style) the drummer and leader/singer/guitarist emitted squeals of glee between phrases like "That was awesome!" and "People are gonna go crazy for that!". They had never really heard a live analog synth before - where the timbre is played as much as the melody - and rhythm and timbre and pitch all combine in complex, organic ways. They both decided then and there that I should leave my other keyboards at home and only play "the Moog". (That is not an exaggeration, they literally said it :)

Congratulations on creating such a wonderful musical instrument. And thank you (especially you Dr. Moog) for having the courage to do it. Don't let the haters deter you! :) When I hear people complain in newsgroups or elsewhere that it is monophonic, has "limited" patch storage, or is too expensive, I just shake my head. My trumpet is monophonic, has no patch storage, and cost a fortune; yet no one rips on it. Anyway, I could ramble on forever - just wanted you to know that I will be displaying the Moog logo with pride at all our gigs. :)
Larry David - The Grasshoppers

Boy am I happy! Thank you. With the VX expansion it interfaces perfectly with my MOTM modular system. And the build on this baby is first class. I think I will sell my Doepfer modular and buy another one! It's really a perfect combo. 2 of the best synth makers coming together. And, yes I am putting together a grand scheme to purchase a 2nd one. BTW: I still have no idea why I connected with this instrument the way I have. I have owned mini's before. This one has just the right amount of old with the new. It's like coming home to a new house with all your stuff and a beautiful woman waiting in the bedroom.
Dave Fulton

I bought an Electric Blue Voyager about two months ago. I just wanted to
give all of you at Moog a big THANK YOU. The Voyager's build quality is
simply on a level that I have never experienced before. I have a studio
filled with equipment, and nothing even comes close to the quality of the
Moog.The sound is absolutely gorgeous, I don't know how to truly put into
words how good it sounds. The purity of the sound is just amazing. I was
skeptical about spending so much money on a synth (I am primarily a guitar
player), but it was worth every penny. After hearing and playing the
Voyager, it is so obvious that every other synth out there has borrowed and
taken from this sound.The other great thing about the Voyager is that the
manual is CLEARLY written and EASY to understand!! I have highlighted it
and read it several times, and I am starting to truly UNDERSTAND synthesis,
and now I am not just turning knobs...I know what each knob does. Granted,
I still have a long way to go, but the interface on the Voyager is
outstanding. Having that many knobs on a synth is a rarity in today's
world, and I feel greatly honored to be the owner of a Voyager.Again, thank
you very much for producing such a beautiful product. I will be enjoying it
for the rest of my life.
Joe Sheairs

This machine is a Monster!! I've already blown two speakers with it and I've only had it a
month!! Seriously though, when we were working on our new album, and needed that extra something, the Voyager always came up trumps. Adding weight, width and power, but at the same time, fitting into the mix with ease. It really is beautiful to work with.

Matt Welch of Atomic Hooligan

Kod Proizvoda: AUD1567

Brand/Manufacturer: MOOG
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